هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

To Kill a Mockingbird
When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.
When it healed, and Jem’s fears of never being able to play football were assuaged, he
was seldom self-conscious about his injury. His left arm was somewhat shorter than his
right; when he stood or walked, the back of his hand was at right angles to his body, his
thumb parallel to his thigh. He couldn’t have cared less, so long as he could pass and
punt.
 When enough years had gone by to enable us to look back on them, we sometimes
discussed the events leading to his accident. I maintain that the Ewells started it all, but
Jem, who was four years my senior, said it started long before that. He said it began the
summer Dill came to us, when Dill first gave us the idea of making Boo Radley come
out.
 I said if he wanted to take a broad view of the thing, it really began with Andrew
Jackson. If General Jackson hadn’t run the Creeks up the creek, Simon Finch would
never have paddled up the Alabama, and where would we be if he hadn’t? We were far
too old to settle an argument with a fist-fight, so we consulted Atticus. Our father said we
were both right
 

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Interesting stories pdf